screendaily · 3h‘The Siege Of Paradise’ review: Gar O’Rourke follows ‘Sanatorium’ with gentle, thought-provoking look at the impact of mass tourismRead story →
screendaily · 7h'The Lost Children Of Tuam’ review: Sensitive, unfussy drama follows investigation into Irish mother and baby homeRead story →
screendaily · 29h‘Learning To Breathe Under Water’ review: Winning Irish heartwarmer takes a child’s eye view of healing from griefRead story →
screendaily · 2dEna Sendijareviç’s ‘The Possessed’ starring Ariane Labed among first projects for NLWave 26Read story →
screendaily · 2dBuyers speculate on why Amazon really dropped Luca Guadagnino’s ‘Artificial’Read story →
screendaily · 2d‘Try!’ review: Crowd-pleasing Irish doc celebrates the community spirit of Mixed Ability RugbyRead story →
screendaily · 2d2026 film and high-end TV productions shooting in the UK and Ireland: latest updatesRead story →
screendaily · 2dUK-Ireland box office preview: Disney’s live-action ‘Moana’ sails into 628 cinemasRead story →
screendaily · 3dFlorin Şerban’s Locarno world premiere ‘You Don’t Belong Here’ boarded for salesRead story →
screendaily · 3d‘Kneecap’ producers DMC, Fine Point Films expand partnership with strategic stakeRead story →
screendaily · 3dMartin Provost’s French drama ‘Love Lessons’ woos buyers ahead of Locarno world premiereRead story →
screendaily · 3dKomplizen, Razor heads talk German funding changes, streaming obligation - The Screen PodcastRead story →
screendaily · 3d‘Rain Catcher’ review: A London street photographer loses his grip on reality in intriguing, twisty neo-noirRead story →
screendaily · 3d‘Hijamat’ review: Jafar Panahi produces Nader Saeivar’s disjointed study of a Turkish immigrant family in BerlinRead story →
screendaily · 3dWelsh UFO comedy-drama ‘Out There’ acquired for sales ahead of Edinburgh launchRead story →
